4dycp | adrianapegorer.com

Visual references for DYCP/ACE submission - July 2026

Totally in Tango Double Role week-end November 2025 Contact Improvisation in Performance showcase March 2026

Studio 3 - Wayne Mc Gregor Studios September 2025

Additional references for DYCP

“The sensitivity and bodily 'listening' was very clear and sustained throughout,

meaning the 'spectacular' is not in the flashy moment but the commitment to

a whole atmospheric, qualitative shift that grew and thickened over the duration.

Watching, witnessing Adriana and Henry find the space in between each other alive and shifting was compelling. Touch became a spectrum of intensities in which the giving and receiving messages of leading, following, directing, and deciding were all arising from a shared space of trust.

Whilst small, this affective encounter is an important contribution to creative practice, and an important offering for a public seeking out spaces to trust their own bodies in relationship.”

Dr Ali Baybutt, March 2026

"Pegorer's solo, partnering a long pink boa, showed wit and intelligence"

Donald Hutera

(The Times, 14.01.2013)

"The women .... curved across the space together,

with a calm focus that was immediately engaging"

Erin Johnson

(Bachtrack, 23.09.2013)

"An inspired

interpretation

of tango"

Thea Nerissa Barnes (Critical Dance, 2006)

“This amorphous piece gently posed legitimate questions about style, gender and crossover form... its strangely compelling, dream-like quality pulled me along”

Donald Hutera

(The Times, 14.01.2013)

“Just as the conference broke new ground by bringing together popular music and scholarly analysis, so Savigliano's presentation created a new genre by combining academic discourse with performance art”

Harvard Gazette 2007

”The subtle tango like moves incorporated elegant, lithe intentions. This dance was performed beautifully”

Thea Nerissa Barnes (Critical Dance, 2006)